Hilary Mantel

From one of Britain’s most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary short stories that demonstrate what modern England has become

In The Assassination of Margaret Thatcher, Hilary Mantel’s trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display.

Her classic wicked humor in each story—which range from a ghost story to a vampire story to near-memoir to mini-sagas of family and social fracture—brilliantly unsettles the reader in that unmistakably Mantel way.

Mantel brutally and acutely writes about gender, marriage, class, family, and sex, cutting to the core of human experience. Unpredictable, diverse, and even shockingly unexpected, each story grabs you by the throat within a couple of sentences. The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.

Wolf Hall

WINNER OF THE 2009 MAN BOOKER PRIZE
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

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Bring Up the Bodies

WINNER OF THE 2012 MAN BOOKER PRIZE
Though he battled for years to marry her—a story told in Wolf Hall—Henry is now disenchanted with Anne Boleyn. She has failed to give him a son, and her sharp intelligence alienates his old friends and the noble families of England. At a word from Henry, Thomas Cromwell is ready to bring her down. Over a few terrifying weeks, Cromwell ensnares her in a web of conspiracy, while the demure Jane Seymour waits her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle, and to defeat the Boleyns, Cromwell must now ally himself with his enemies. What price will he pay for Anne’s head?

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Beyond Black

Colette and Alison are unlikely cohorts: one a shy, drab beanpole of an assistant, the other a charismatic, corpulent psychic whose connection to the spiritual world torments her. When they meet at a fair, Alison invites Colette at once to join her on the road as her personal assistant and companion. Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside. It is not long before the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest--insightful, darkly comic, unorthodox, and thrilling to read.

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Giving Up the Ghost

In postwar rural England, Hilary Mantel grew up convinced that the most improbable of accomplishments, including "chivalry, horsemanship, and swordplay," were within her grasp. Once married, however, she acquired a persistent pain that led to destructive drugs and patronizing psychiatry, ending in an ineffective but irrevocable surgery. There would be no children; in herself she found instead one novel, and then another.

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The Giant O’Brien

London, 1782: center of science and commerce, home to the newly rich and the desperately poor. In the midst of it all is the Giant, O’Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O’Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of scientific knowledge. Hilary Mantel tells of the fated convergence of Ireland and England. As belief wrestles knowledge and science wrestles song, so The Giant, O’Brien calls to us from a fork in the road as a tale of time, and a timeless tale.

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An Experiment in Love

It was the year after Chappaquiddick, and all spring Carmel McBain had watery dreams about the disaster. Now she, Karina, and Julianne were escaping the dreary English countryside for a London University hall of residence. Interspersing accounts of her current position as a university student with recollections of her childhood and an ever difficult relationship with her longtime schoolmate Karina, Carmel reflects on a generation of girls desiring the power of men, but fearful of abandoning what is expected and proper. When these bright but confused young women land in late 1960s London, they are confronted with a slew of new preoccupations--sex, politics, food, and fertility--and a pointless grotesque tragedy of their own.

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A Change of Climate

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. Thirty years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and thirty years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

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A Place of Greater Safety

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden--and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter. In the swells of revolution, they each taste the addictive delights of power, and the price that must be paid for it.

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Fludd

One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

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Eight Months on Ghazza Street

When Frances Shore moves to Saudi Arabia, she settles in a nondescript sublet, sure that common sense and an open mind will serve her well with her Muslim neighbors. But in the dim, airless flat, Frances spends lonely days writing in her diary, hearing the sounds of sobs through the pipes from the floor above, and seeing the flitting shadows of men on the stairwell. It’s all in her imagination, she’s told by her neighbors; the upstairs flat is empty, no one uses the roof. But Frances knows otherwise, and day by day, her sense of foreboding grows even as her sense of herself begins to disintegrate.

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Vacant Possession

Ten years have passed since Muriel Axon did her ma in, ten years of living in a mental asylum. But Muriel has not forgotten her welfare worker, Isabel, or her neighbor, Colin. Nor has she forgiven. There are still scores to be settled-and vengeance to be wreaked. In a novel that is wildly funny and daringly wicked, Mantel brings the full force of her black humor to bear on a cast of characters that is by turns wacky and malevolent.

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Every Day is Mother's Day

Evelyn Axon is a medium by trade; her daughter, Muriel, is a half-wit by nature. Barricaded in their crumbling house, surrounded by the festering rubbish of years, they defy the curiosity of their neighbors and their social worker, Isabel Field. Isabel is young and inexperienced and has troubles of her own: an elderly father who wanders the streets, and a lover, Colin, who wants her to run away with him. But Colin has three horrible children and a shrill wife who is pregnant again--how is he going to run anywhere? As Isabel wrestles with her own problems, a horrible secret grows in the darkness of the Axon household. When at last it comes to light, the result is by turns hilarious and terrifying.

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Hilary Mantel is the two-time winner of the Man Booker Prize for her best-selling novels, Wolf Hall, and its sequel, Bring Up the Bodies—an unprecedented achievement. The Royal Shakespeare Company recently adapted Wolf Hall and Bring Up the Bodies for the stage to colossal critical acclaim. The two productions, which run at the Swan Theater in Stratford-upon-Avon until March 29th have been sold out for months. Those without tickets can look forward to the BBC/Masterpiece six part adaption of the novels, which will broadcast in the Spring of 2015 with "Homeland" actor, Damien Lewis, to star as Henry VII and Mark Rylance to portray Thomas Cromwell.

The author of thirteen books, including A Place of Greater Safety, Beyond Black, and the memoir Giving up the Ghost, she is currently at work on the third installment of the Thomas Cromwell Trilogy.